Japanese Reading Report: 30 March 2025
 
      This week was surprisingly fruitful despite also being extremely hectic with school. I finished two major assignments and also did *points down* all of that stuff. I probably only made it work because I didn't give myself any time for fun or games the whole week. Ah well, maybe soon.
- AX アックス (12-117ページ)
- カードキャプターさくら (第67-70話)
- 真ゲッターロボ世界最後の日 (第4-13話)
- キューティーハニー (第1-6話)
- ゲッターロボ (第1巻)
AX アックス
        I read quite a lot this week. I completed the first 
        chapter, the titular AX — which established the tone 
        of the story and gave an introduction to the main 
        characters: Kabuto the hired assassin, his (unnamed) wife, 
        and their teenage son, Katsumi — and also the second 
        chapter, BEE.
        
        The first chapter sort of had a sub-theme which 
        was defined by the expression 
                    蟷螂の斧, a method of fighting an 
        opponent where you don't even consider the possibility 
        of loss, despite the odds. It refers to the way mantises 
        seemingly never flee from deadly situations. There were 
        some extremely funny, well written scenes in the first 
        chapter. Points of irony or points where Kabuto would 
        accidentally slip and almost reveal his whole deal to his 
        family - he doesn't want them to know he's an assassin, and 
        he doesn't want his organisation to know he has a family.
        
        So the first chapter was about a mantis (sort of). The second 
        chapter is about hornets, hence the chapter title, BEE.
        
        This chapter starts when Kabuto learns about a pair of
        assassins called 
                    スズメバチ - Killer Hornet. One of them 
        recently died, and the other has it out for 
        Kabuto, apparently. As it turns 
        out, Kabuto's wife is also dealing with a killer 
        hornet problem at home, and she tasks Kabuto with figuring 
        out how best to deal with it.
        After identifying it as killer hornets (and not a more 
        docile species), Kabuto first thinks to hire a professional, 
        but after some more research he decides he can probably do 
        it on his own with enough protection.
        
        The high point of the chapter involves him gearing up for 
        the ordeal. He puts on layers and layers of winter clothes, 
        a helmet, and lots of packing tape to seal off any vulnerable 
        spots. As he puts it, he looks like a weird spaceman. My 
        favourite moment is in the early morning as Kabuto is 
        about to go out fully geared, he notices his son's door is 
        open and he reflects on how quickly he has grown up. He gets 
        sentimental and walks into the room in an, "I'm about to walk 
        to my certain death. Look after your mother" fashion, still 
        entirely wrapped in layers of clothes and tape. The juxtaposition 
        was just very vibrant and funny.
        
        Kabuto deals with the hornets just fine. He starts to empathise 
        with them; he recognises that they're just behaving in their 
        own way trying to protect their families just like he is with 
        his. He gives them a proper burial.
        
        The chapter ends with the real, human Killer Hornet showing up. 
        Kabuto uses his current appearance to frighten Killer Hornet off, 
        bluffing and saying he dressed this way in anticipation and 
        he's currently impervious to needles, so don't bother. That works 
        well enough. Kabuto passes out from the heat and thick clothing, 
        and the chapter ends with a sweet moment.
      
カードキャプターさくら
 
        
        So I finally finished this series. I have to say I'm 
        extremely glad I endured a somewhat slow start and 
        pushed through to the end. I absolutely fell in love 
        with the relationships in this series — 
        Sakura and Yukito, Touya and Yukito, Touya and
        Mirror Sakura, Yue and Clow, even Sakura and Mei-Ling — 
        there was a strong network of relationships that really 
        worked in the second half of the story. Of course, the 
        relationship which was strongest in the end was Sakura 
        and Xiaolang. I was a real doubter at the start of the 
        show, but I've been converted.
        
        Perhaps the only weakness of the second half of the 
        story for me was that Clow's whole deal didn't 
        totally mesh with his actions. He was extremely
        adversarial towards Sakura and risks her life constantly, 
        and then at the end he's like, "It was just a joke, hah hah." 
        What a brat.
      
真ゲッターロボ世界最後の日
 
        
        I finished my rewatch, as expected. I definitely 
        enjoyed this show upon rewatch. The action and characters 
        are really fun, and the visuals and music are just so 
        perfect.
        
        My favourite parts are definitely towards the end. The 
        Shin Getter vs Getter G fight is just so fun to watch, and 
        I love the build up to it, the psychological warfare and 
        truth about Michiru's death that set the events of the 
        whole series in motion.
        I also love the Shin Getter Dragon stuff at the end. Going 
        through the portal and seeing all the other Getters of past, 
        present, and future, is just super cool.
        
        Gou and Kei's relationship is also really cool. Love them.
      
キューティーハニー
        I wanted to watch Mazinger following Getter Robo 
        Armageddon, but I've always had trouble finding a 
        way to watch Mazinger in Japanese at an adequate 
        quality. I finally found a good source for the original 
        series, but I still couldn't access it until later 
        in the week.
        
        永井豪
        is known as the father of several popular genres: He popularised 
        the true Super Robot with Mazinger and Getter Robo, he created 
        the shounen anti-hero with Devilman, and (as I understood it), 
        he fathered the ecchi (containing suggestive sexual elements, but 
        nothing explicit) comedy genre with Cutie Honey.
        
        I'm not really a fan of ecchi or romantic comedies. Other than 
        Full Metal Panic I don't think there's any series that fits the 
        genre that I would consider a big favourite of mine. But, 
        I am willing to give any genre first a try. I'm obsessed with 
        origins, I guess. So I watched the first few episodes of Cutie Honey 
        and... it's not an ecchi comedy. Well, it is, but those are just 
        two pillars of this series!
        
        Cutie Honey is the story of a modern young woman, Honey, who 
        very quickly learns that she's not a human at all — she's a robot. 
        Her father dies, provides her with the truth and a mission to 
        protect humanity, and the story quickly sets in motion. I would 
        say that the content of the series (from what I've seen so far) is 
        like a mix between Astro Boy and spy thrillers of the 60s and 70s.
        Honey is ecchi, certainly. Her looks and body are a huge part of 
        the moment-to-moment storytelling. Almost every male secondary 
        character is interested in her, to varying degrees of success, 
        and she frequently loses part or all of her outfits in every 
        episode. And it's funny. It's definitely a comedy, in the same 
        way that Getter Robo can be a comedy at times. The side characters 
        are all goofballs who add levity to many of the scenes. It's all 
        a little bit dated, I suppose, but it feels good natured and 
        Honey is rarely the person in positions of vulnerability. Being a 
        robot, Honey has several super-human abilities. She is super 
        strong, has magnetic(? sort of) feet, has all kinds of gadgets to 
        see through walls, tune into radio (it was the 70s, that was 
        probably very cool!) and, most importantly, she can transform 
        herself to assume various disguises. She always saves her 
        ultimate form, Cutie Honey, for the final action sequence. It's 
        like the perfect translation of a super robot plot into
        human-scale combat and drama. I really like it.
        
        I would say the biggest weakness I anticipate is the episodic 
        nature of the whole show. It's only 25 episodes — considered 
        long for modern anime — which puts it at less than half of 
        Getter Robo and nearly a quarter of Mazinger's count, so I 
        expect it won't outstay its welcome, but I hope they find a 
        strong plot thread by the midpoint and lock in, because I'd like 
        to see some character development and payoff.
        
        Anyway, all that to say I'm really enjoying this series. I 
        think I'll have to give Devilman (the original series, I've 
        already watched Crybaby) a shot because I think this
        永井豪
        guy might have been onto something.
      
ゲッターロボ(漫画版)
        I finally decided to try the original manga
        version of this story. I'd like to read it 
        all the way through to see what the original 
        vision was meant to be. The version I'm reading 
        is a physical rerelease by
        
          Move On Comics (not sponsored), which I 
        didn't realise at time of purchase would be 
        absolutely massive. Basically what is normally 
        three volumes was put into two (not sure where 
        the split happens yet). The first volume of 
        this edition is over 400 pages. Needless to 
        say I did not finish it between all of my other 
        immersion and study.
        
        In terms of actual progress, I read up to the end 
        of Ryoma's introduction. This intro felt fairly 
        in line with the 新ゲッターロボ introduction as I 
        remember it (though my memory of each series is 
        a bit hazy so feel free to email me any 
        corrections). Ryoma rocks up to a karate 
        tournament, beats the life out of everyone there, 
        goes home to be sad with the portrait of his dead 
        father, and is then assailed by a trio of ne'er-do-wells. 
        
        After surviving the assault, Ryoma is dragged to 
        Saotome's lab to prepare to pilot Getter to protect 
        humanity from the dinosaur race, but it's too late — 
        the dinosaurs are already attacking, Ryoma is 
        forced to kill some possessed people, hop in the 
        unfinished chassis of Getter 1, and clear away a 
        hoard of flying dinosaurs.