Japanese Reading Report: 13 October 2024
It's the penultimate week of school so, despite the report length, I haven't actually had much time to get input in. This week's report has several short shows that I just happened to have a lot to say about. I was also able to read quite a lot, partially thanks to some long train rides through the week. Enjoy.
- あなた (1-126ページ)
- 君に届け (第17-25話)
- こえでおしごと! (第1-2話)
- ダンダダン (第1-2話)
- 魔法少女リリカルなのは (第1話)
- ドリームハンター麗夢 (第1-3話)
- 絶対にラブコメしてはいけない学園生活24時 (0-45%)
あなた
I decided to read this book when a friend mentioned it and I noticed how short it was.
I ended up reading it in about three days. The book is basically a single, slightly long
short story about a multi-generational tragedy from its beginning to its end (sort of).
The story starts by establishing the first tragedy —
小栗貞子 attempts to flee her small town with the town's money
and her lover, a man named
増田, but is abandoned by him when he snatches the money and rides off.
The meat of the book then follows that man (going under the pseudonym
町田) returning to his home town as a business tycoon. He has
spent the last 40 years building industry throughout Japan (presumably off the wealth
he stole from the town) and has now decided to build a luxury hotel in order to
"help" the town see more tourism money. A not-insignificant amount of dialogue in the
book takes the form of townspeople being fairly sceptical about the value that
増田 is actually providing them.
「それがいやなの。この町に媚びてるわ。それでいて、稼ぎは全部東京へ吸い上げられて、町には何も残らない。町の人たちは、ボーイかウエイトレスか、窓拭きがせいぜい。それを、町長さんなんか『町の救い主』なんて感激して。何も分ってない」The story goes into some unexpected territory but, mostly due to its length, there was a feeling that everything was left undercooked.
Mostly I just enjoyed having a break from non-fiction. Reading this in less than a week without having to look up dozens of proper nouns simply felt like a hot shower after a month trekking through mud.
君に届け
So I finished the first season. Overall I found this show quite enjoyable.
爽子 continues to be a delightful character, and her
relationship with
風早 is as charming as it was last week.
With that said, I think the most interesting arc this season was the
ちづる and
龍 relationship. I think
ちづる is just a very relatable character. She's a bit
tomboyish and her outgoing personality masks a tenderness that made my
heart ache every time it was exposed. When her childhood crush comes to
visit and she finds out that he has married, her idealistic, carefree
spirit was really tested. It ultimately created a situation where she
ruined the perfect moment she had built up in her head about giving
龍 his birthday gift. His relaxed and
stoic temperament sort of lead to further misunderstandings, but
also meant the situation didn't blow up much beyond that. He continues
to be the best boy.
My favourite episode in the season was episode 22,
クリスマス. In this episode
爽子 wants to spend Christmas with her friends (and
風早 especially), but she keeps having misunderstandings
with her father about her Christmas plans. The episode is resolved when
her father gifts her first mobile phone (a symbol showing the trust he has in
her to be independent) and
風早 gifts here a 4-leafed clover charm that she
quickly attaches to it.
こえでおしごと!
This two episode anime adapts a manga of the same name. I found it surprisingly
engaging and thought provoking.
The show wastes no time getting to the point -- the protagonist,
青柳柑奈,
agrees to work as a voice actress for her sister's erotic game company. As a
young girl there is some discomfort with addressing the sexual subject matter
leading to a few gags and some drama for
柑奈.
Visual storytelling like
柑奈's body/soul transferring into the characters she
voices,
バツ icons covering erotic words, and censoring phallic objects by
making them magical, transparent, rainbow rods, were all fresh forms of
expression and had a fresh, playful aesthetic. The art was also just stellar and made
me want to seek out more works by the studio.
柑奈 gets into the role and begins to "get used to" the job is also
interesting because I think it has potential to explore the ways work can
change and desensitise us against taboos. She learns that she is able to perform
better by entering a "trance" state. This wasn't unlike Evangelion's
碇シンジ, who also performs best by casting his inhibitions aside,
synchronising with Eva Unit 01, and leveraging his connection to others.
One of the reasons I was interested in trying this anime was because of my personal
history with erotic media. I've always been quite uncomfortable about the erotic
vocalisations made in eroge, anime, and basically anything else. Just like
柑奈 for much of my life I've been unable to face a part of culture
that made me mildly uncomfortable. And, also like her, I was able to find that
"trance" state while watching the show. So basically I think it's a feminist masterpiece.
Unfortunately the show's only two episodes don't
explore much beyond
柑奈's entry to the industry and an implied budding romance.
A full anime exploring the
ins and outs of an eroge development company sounds like the most interesting
thing in the world to me right now. Perhaps I'll read the manga or play the VN at some point.
ダンダダン
Not too much to say here. This has been a pleasure to watch. I knew from the teaser trailer
that this anime would be a worthy adaptation for the manga and it has exceeded my
expectations. The manga was already gorgeous — it implied movement, scale, weight, and
energy effortlessly. The anime adds the time and colour to all of those elements and
floods your senses.
This is the kind of adaptation that feels like a 100% natural move from one medium
to another. Very cool.
Just like the
チェンソーマン adaptation, I think the biggest problem is my own
expectations. Only 12 episodes in total means we probably won't get to the parts of
the manga that truly blew me away when I read it. I'm still confident it will be enjoyable,
but there is an awkwardness to knowing ahead of time that an anticipated anime will stop
short of the parts where the anime "gets good".
魔法少女リリカルなのは
A property that was put on my radar by
エロゲー文化研究概論 as, according to the book, this magical
girl anime was originally a spin-off story of an erotic game called
とらいあんぐるハート!. I saw a post on social media celebrating
the series' 20th anniversary including a promotion to air the first season for
free on YouTube, so I thought this was the perfect time to give it a try. This is
also one of my first anime in the magical girl genre, so that may impact my
impression of it.
The anime stars the titular
なのは, a fairly regular school girl with a few close friends and
a good relationship with her family. After saving a ferret in a local park she is
wrapped up in the conflict of another reality filled with magic and monsters.
The animation is quite good, and the fashion stood out as highly detailed for some
reason. In particular there were a few scenes in the family home where
every character just looked well dressed, and the way the fabric of their
clothes moved felt very high quality. I know it's a weird thing to
latch onto but that's just what I noticed.
ドリームハンター麗夢
This series sort of fell into my lap after discussing media that transitioned from
erotic to all-ages media forms during their development, putting it into a
similar box as
魔法少女リリカルなのは. Apparently the first OVA release was
R18, but all subsequent OVAs were made more in an M15 style (there is some
spin-off content that still appears to be R18 on the official website).
Each episode is about 50 minutes long. The structure is episodic, each involving the
titular
麗夢 solving some kind of supernatural mystery by entering dreams
and expelling or purifying some evil spirit. The series is part magical girl and
part crime thriller (though the mysteries are fairly straight forward).
Episode 2 was probably my favourite. In this episode,
麗夢 infiltrates an all-girl's school and solves a
haunting causing girls to go missing.
I think the strength of the series is how it uses dreamscapes as an
excuse to create out-of-this-world settings while also allowing the action
to return to contemporary (for the time) Japan. Dreams are also used to
explore the emotions and memories of characters. It's a nice way to
add a visual element to something that would otherwise just be
discussed verbally or expressed via flashbacks.
絶対にラブコメしてはいけない学園生活24時
Yet another property that was mentioned in
エロゲー文化研究概論 since the character artist is
同級生's
竹井正樹. This book is 261 pages
according to Bookmeter, but I'm reading it on my e-reader (a
Kobo H2O Libre) so the page count is a bit unreliable.
I would compare my experience with this book to my experience
with
『機動戦士ガンダム 異世界宇宙世紀 二十四歳職業OL、転生先でキシリアやってます』
(yes it's a mouthful). Both books are somewhat self aware of their
genres and both cater to a readership that is also aware,
but I think this book does a better job than the Gundam book
(which sadly sits at the bottom of my all-time book rankings for
books read to date). I think partially it has to do with the
setting. While the Gundam book was literally set during
key points in the Gundam UC timeline, this book is just
a parody of any and all romance games which gives it a lot of
flexibility with the form. While the main character of the
Gundam book was rigidly insistent for the story to
"follow canon", the motivations of the character in this book
is purely internally motivated: survive and stay pure for the
girl he likes back in the real world.
I should actually explain what the book is about. So the story
follows
鈴瀬ユート, an average boy in highschool with a crush
on
佐倉凛音. His crush asks him to help identify a mysterious
disk that she was given while she also laments the mysterious
absences of various students for the last week. As it turns out
the disk contains software for a high tech VR game that traps
ユート until he is able to complete the game - a
romance-comedy adventure game. In order to escape he has to achieve the
true ending on every girl in the game. By doing so he also frees
the girls and allows them to return to the real world. Even though it
doesn't make much sense to him right now,
佐倉 is also in the game as a helpful
妹 type character who manages his Save and Load
data.
Chapters are separated by which route
ユート is currently on. I've read through the entirety
of
葉山撫子 and
水城先生's stories. The former tells a fairly pure-love
story with a little bit of teasing.
葉山 is a year older and that plays into the story
mildly. She also considers them
幼馴染 despite the fact that their only shared
memory was him praising one of her drawings once when they were very
young. The second story showed me that this wasn't just going to be
a basic romcom parody. This story has a bunch of highly erotic choices
that mostly lead to bad ends, but
ユート actively starts choosing all the options (saving
beforehand of course) just to see what will happen. In the end the
best ending comes out of showing a pure admiration for his teacher,
though it's still played very erotically. Ultimately it was just a fun
parody of the format that doesn't get too bogged down in details.
I'm currently reading through the
桐野来花 route which has shown off the flexibility
of the story even more.
桐野 showed up in all of the previous stories but
was continuously forgotten in favour of other routes, but
ユート finally decides to pursue her this time. As it
turns out, they are *also*
幼馴染 (though this time it's a bit more legitimate),
and, she is extremely yandere. Thankfully
ユート has learned how to use his Save data at this
point, so he's able to avoid the worst of it, but he came within inches
of having his life end during this route so far. I can't wait to see
what happens next.