Japanese Reading Report: 13 October 2024
 
      It's the penultimate week of school so, despite the report length, I haven't actually had much time to get input in. This week's report has several short shows that I just happened to have a lot to say about. I was also able to read quite a lot, partially thanks to some long train rides through the week. Enjoy.
- あなた (1-126ページ)
- 君に届け (第17-25話)
- こえでおしごと! (第1-2話)
- ダンダダン (第1-2話)
- 魔法少女リリカルなのは (第1話)
- ドリームハンター麗夢 (第1-3話)
- 絶対にラブコメしてはいけない学園生活24時 (0-45%)
あなた
 
        
        I decided to read this book when a friend mentioned it and I noticed how short it was.
        I ended up reading it in about three days. The book is basically a single, slightly long
        short story about a multi-generational tragedy from its beginning to its end (sort of).
        
        The story starts by establishing the first tragedy — 
                    小栗貞子 attempts to flee her small town with the town's money
        and her lover, a man named 
                    増田, but is abandoned by him when he snatches the money and rides off.
        The meat of the book then follows that man (going under the pseudonym 
                    町田) returning to his home town as a business tycoon. He has
        spent the last 40 years building industry throughout Japan (presumably off the wealth 
        he stole from the town) and has now decided to build a luxury hotel in order to
        "help" the town see more tourism money. A not-insignificant amount of dialogue in the
        book takes the form of townspeople being fairly sceptical about the value that
        
                  増田 is actually providing them.
        
「それがいやなの。この町に媚びてるわ。それでいて、稼ぎは全部東京へ吸い上げられて、町には何も残らない。町の人たちは、ボーイかウエイトレスか、窓拭きがせいぜい。それを、町長さんなんか『町の救い主』なんて感激して。何も分ってない」The story goes into some unexpected territory but, mostly due to its length, there was a feeling that everything was left undercooked.
Mostly I just enjoyed having a break from non-fiction. Reading this in less than a week without having to look up dozens of proper nouns simply felt like a hot shower after a month trekking through mud.
君に届け
        So I finished the first season. Overall I found this show quite enjoyable. 
        
                    爽子 continues to be a delightful character, and her 
        relationship with 
                    風早 is as charming as it was last week.
        With that said, I think the most interesting arc this season was the 
        
                    ちづる and 
                    龍 relationship. I think 
                    ちづる is just a very relatable character. She's a bit 
        tomboyish and her outgoing personality masks a tenderness that made my
        heart ache every time it was exposed. When her childhood crush comes to 
        visit and she finds out that he has married, her idealistic, carefree 
        spirit was really tested. It ultimately created a situation where she 
        ruined the perfect moment she had built up in her head about giving 
        
                    龍 his birthday gift. His relaxed and 
        stoic temperament sort of lead to further misunderstandings, but 
        also meant the situation didn't blow up much beyond that. He continues 
        to be the best boy.
        My favourite episode in the season was episode 22, 
                    クリスマス. In this episode 
                    爽子 wants to spend Christmas with her friends (and 
        
                    風早 especially), but she keeps having misunderstandings 
        with her father about her Christmas plans. The episode is resolved when 
        her father gifts her first mobile phone (a symbol showing the trust he has in 
        her to be independent) and 
                    風早 gifts here a 4-leafed clover charm that she 
        quickly attaches to it.
      
こえでおしごと!
 
        
        This two episode anime adapts a manga of the same name. I found it surprisingly
        engaging and thought provoking.
        The show wastes no time getting to the point -- the protagonist, 
                    青柳柑奈,
        agrees to work as a voice actress for her sister's erotic game company. As a
        young girl there is some discomfort with addressing the sexual subject matter
        leading to a few gags and some drama for 
                    柑奈.
        Visual storytelling like 
                    柑奈's body/soul transferring into the characters she
        voices, 
                    バツ icons covering erotic words, and censoring phallic objects by
        making them magical, transparent, rainbow rods, were all fresh forms of
        expression and had a fresh, playful aesthetic. The art was also just stellar and made 
        me want to seek out more works by the studio.
        
                    柑奈 gets into the role and begins to "get used to" the job is also
        interesting because I think it has potential to explore the ways work can
        change and desensitise us against taboos. She learns that she is able to perform
        better by entering a "trance" state. This wasn't unlike Evangelion's 
                    碇シンジ, who also performs best by casting his inhibitions aside,
        synchronising with Eva Unit 01, and leveraging his connection to others.
        One of the reasons I was interested in trying this anime was because of my personal 
        history with erotic media. I've always been quite uncomfortable about the erotic 
        vocalisations made in eroge, anime, and basically anything else. Just like
        
                    柑奈 for much of my life I've been unable to face a part of culture
        that made me mildly uncomfortable. And, also like her, I was able to find that 
        "trance" state while watching the show. So basically I think it's a feminist masterpiece.
        
        Unfortunately the show's only two episodes don't
        explore much beyond 
                    柑奈's entry to the industry and an implied budding romance.
        A full anime exploring the
        ins and outs of an eroge development company sounds like the most interesting
        thing in the world to me right now. Perhaps I'll read the manga or play the VN at some point.
      
ダンダダン
        Not too much to say here. This has been a pleasure to watch. I knew from the teaser trailer 
        that this anime would be a worthy adaptation for the manga and it has exceeded my 
        expectations. The manga was already gorgeous — it implied movement, scale, weight, and 
        energy effortlessly. The anime adds the time and colour to all of those elements and 
        floods your senses.
        This is the kind of adaptation that feels like a 100% natural move from one medium 
        to another. Very cool.
        Just like the 
                    チェンソーマン adaptation, I think the biggest problem is my own 
        expectations. Only 12 episodes in total means we probably won't get to the parts of 
        the manga that truly blew me away when I read it. I'm still confident it will be enjoyable,
        but there is an awkwardness to knowing ahead of time that an anticipated anime will stop 
        short of the parts where the anime "gets good".
      
魔法少女リリカルなのは
 
          
        A property that was put on my radar by 
                    エロゲー文化研究概論 as, according to the book, this magical 
        girl anime was originally a spin-off story of an erotic game called 
                    とらいあんぐるハート!. I saw a post on social media celebrating
        the series' 20th anniversary including a promotion to air the first season for 
        free on YouTube, so I thought this was the perfect time to give it a try. This is 
        also one of my first anime in the magical girl genre, so that may impact my
        impression of it.
        
        The anime stars the titular 
                    なのは, a fairly regular school girl with a few close friends and 
        a good relationship with her family. After saving a ferret in a local park she is 
        wrapped up in the conflict of another reality filled with magic and monsters.
        
        The animation is quite good, and the fashion stood out as highly detailed for some
        reason. In particular there were a few scenes in the family home where 
        every character just looked well dressed, and the way the fabric of their 
        clothes moved felt very high quality. I know it's a weird thing to 
        latch onto but that's just what I noticed.
      
ドリームハンター麗夢
        This series sort of fell into my lap after discussing media that transitioned from
        erotic to all-ages media forms during their development, putting it into a 
        similar box as 
                    魔法少女リリカルなのは. Apparently the first OVA release was 
        R18, but all subsequent OVAs were made more in an M15 style (there is some 
        spin-off content that still appears to be R18 on the official website).
        
        Each episode is about 50 minutes long. The structure is episodic, each involving the 
        titular 
                    麗夢 solving some kind of supernatural mystery by entering dreams 
        and expelling or purifying some evil spirit. The series is part magical girl and 
        part crime thriller (though the mysteries are fairly straight forward).
        Episode 2 was probably my favourite. In this episode, 
                    麗夢 infiltrates an all-girl's school and solves a 
        haunting causing girls to go missing.
        
        I think the strength of the series is how it uses dreamscapes as an 
        excuse to create out-of-this-world settings while also allowing the action 
        to return to contemporary (for the time) Japan. Dreams are also used to 
        explore the emotions and memories of characters. It's a nice way to 
        add a visual element to something that would otherwise just be 
        discussed verbally or expressed via flashbacks.
      
絶対にラブコメしてはいけない学園生活24時
        Yet another property that was mentioned in 
                    エロゲー文化研究概論 since the character artist is 
        
                    同級生's 
                    竹井正樹. This book is 261 pages
        according to Bookmeter, but I'm reading it on my e-reader (a 
        Kobo H2O Libre) so the page count is a bit unreliable.
        
        I would compare my experience with this book to my experience 
        with 
          『機動戦士ガンダム 異世界宇宙世紀 二十四歳職業OL、転生先でキシリアやってます』
        (yes it's a mouthful). Both books are somewhat self aware of their 
        genres and both cater to a readership that is also aware, 
        but I think this book does a better job than the Gundam book 
        (which sadly sits at the bottom of my all-time book rankings for
        books read to date). I think partially it has to do with the 
        setting. While the Gundam book was literally set during 
        key points in the Gundam UC timeline, this book is just 
        a parody of any and all romance games which gives it a lot of 
        flexibility with the form. While the main character of the 
        Gundam book was rigidly insistent for the story to 
        "follow canon", the motivations of the character in this book 
        is purely internally motivated: survive and stay pure for the 
        girl he likes back in the real world.
        
        I should actually explain what the book is about. So the story 
        follows 
                    鈴瀬ユート, an average boy in highschool with a crush 
        on 
                    佐倉凛音. His crush asks him to help identify a mysterious 
        disk that she was given while she also laments the mysterious 
        absences of various students for the last week. As it turns out 
        the disk contains software for a high tech VR game that traps 
                    ユート until he is able to complete the game - a 
        romance-comedy adventure game. In order to escape he has to achieve the 
        true ending on every girl in the game. By doing so he also frees 
        the girls and allows them to return to the real world. Even though it 
        doesn't make much sense to him right now, 
                    佐倉 is also in the game as a helpful 
                    妹 type character who manages his Save and Load 
        data.
        
        Chapters are separated by which route 
                    ユート is currently on. I've read through the entirety
        of 
                    葉山撫子 and 
                    水城先生's stories. The former tells a fairly pure-love 
        story with a little bit of teasing. 
                    葉山 is a year older and that plays into the story 
        mildly. She also considers them 
                    幼馴染 despite the fact that their only shared
        memory was him praising one of her drawings once when they were very 
        young. The second story showed me that this wasn't just going to be 
        a basic romcom parody. This story has a bunch of highly erotic choices 
        that mostly lead to bad ends, but 
                    ユート actively starts choosing all the options (saving 
        beforehand of course) just to see what will happen. In the end the 
        best ending comes out of showing a pure admiration for his teacher, 
        though it's still played very erotically. Ultimately it was just a fun 
        parody of the format that doesn't get too bogged down in details. 
        
        I'm currently reading through the 
                    桐野来花 route which has shown off the flexibility 
        of the story even more. 
                    桐野 showed up in all of the previous stories but 
        was continuously forgotten in favour of other routes, but 
                    ユート finally decides to pursue her this time. As it 
        turns out, they are *also* 
                    幼馴染 (though this time it's a bit more legitimate), 
        and, she is extremely yandere. Thankfully 
                    ユート has learned how to use his Save data at this 
        point, so he's able to avoid the worst of it, but he came within inches
        of having his life end during this route so far. I can't wait to see 
        what happens next.